Continuum X Wrap Up

The carnival is over…

all that remains is some discarded wrappers in a now empty field and some treasured memories. We hope you all had a magical weekend!

If you’re wanting to relive (or missed) some of the con:
Jim C. Hines has put the transcript of his Guest of Honour speech on his website.
He also posted some photos and links here.

You can read Ambelin Kwaymullina’s Guest of Honour speech here. And her recommended reading list can be found on our website.

The Writer and the Critic podcast recorded at the con with Jim C. Hines and Ambelin Kwaymullina can be found here.

A huge thanks to our Award ceremony MCs Narrelle Harris and George Ivanoff who were brilliantly entertaining! All the nominees and winners are on our awards page.

Kathleen Jennings talks about creating the gorgeous carnival designs for us on her blog.

You can watch the Carnival of Lost Souls theme video made by our own talented Rachel Holkner.
And the con has been Storified for posterity!

In case you missed the big announcement Continuum 11: Southern Skies Guests of Honour will be R. J. Anderson and Tansy Rayner Roberts. Memberships for Continuum 11 are now available for purchase on Trybooking.

Finally thank you to everyone who attended, to all our volunteers and committee, because of you all it was an amazing weekend!

Indigenous Speculative Fiction Reading List

As promised Ambelin has provided a fantastic recommended reading list of Indigenous speculative fiction and other resources.

List of works of speculative fiction written by Indigenous authors referred to on slides during Ambelin Kwaymullina’s Guest of Honour speech:

Zainab Amadahy, The Moon of Palmares
Celu Amberstone, The Dreamers Legacy
Teagan Chilcott, Rise of the Fallen
Grace Dillon, Walking the Clouds: An Anthology of Indigenous Science Fiction
Stephen Graham Jones, The Bird is Gone: A Manifesto
Catherine Knutsson, Shadows Cast by Stars
Simon Ortiz, Men on the Moon: Collected Short Stories
Tristan Savage, Riftbreaker
Gerry William, The Black Ship

Some reference works on Aboriginal culture and worldviews written by Aboriginal people: (and to find more resources, Ambelin suggests a good starting point is to look at the catalogues of Australian Aboriginal publishers: Magabala Books, IAD Press, and Aboriginal Studies Press)

Judy Atkinson, Trauma Trails, recreating songlines: the transgenerational effects of trauma in Indigenous Australia

Mary Graham, ‘Some Thoughts on the Philosophical underpinnings of Aboriginal worldviews’, Worldviews: Global Religions, Culture, and Ecology, Volume 3, Number 2, 1999 available online at: http://www.australianhumanitiesreview.org/archive/Issue-November-2008/graham.html

Guruma Elders Group, The Guruma Story

Max Harrison, My People’s Dreaming

Sally Morgan, Tjalaminu Mia, and Blaze Kwaymullina (eds)
Speaking from the Heart: Stories of Life, Family and Country
- Heartsick for Country: Stories of Love, Spirit and Creation
David Mowaljarlai and Jutta Malnic, Yorro Yorro: everything standing up alive, Magabala Books
Bill Neidjie
- Story About Feeling
Gagudju Man

Margaret Kemarre Turner; Iwenhe Tyerrtye: what it means to be an Aboriginal person, IAD Press

Kathleen Kemarre Wallace, Listen Deeply, Let These Stories In, IAD Press

And for guidance on writing about Indigenous characters:

Australia Council for the Arts Protocols for Producing Indigenous Writing, available online at: http://www.australiacouncil.gov.au/resources/reports_and_publications/artforms/literature/writing_protocols_for_producing_indigenous_australian_writing

Australian Society of Authors papers, Writing About Indigenous Australia and Australian Copyright vs Indigenous Intellectual and Cultural Property, available online at: https://www.asauthors.org/writing-about-indigenous-australia

Online Programme now Live!

A mobile friendly version of our programme is now availble here. You can browse by people, rooms or program items and mark panels as favourites on your own schedule.

If you notice any errors please email our programming team on programming@continuum.org.au. Panellists can also send us a bio to be added by contacting the same address. As always, your feedback is welcome.

Twitter Hashtag

We’re excited there’s starting to be a lot of chatter on the Twitters about the con and thought now would be the perfect time to announce that the official hashtag for Continuum X is

#con10

 

If you’re not already following us on Twitter, find us here!

Meet our guest Ambelin Kwaymullina

Ambelin was kind enough to find some time to to do a five question interview with us. If you enjoy reading it, come see Ambelin speak at our convention this weekend!

1. For those who haven’t come across your work before, how would you describe your stories?

You know what, it’s super difficult to describe your own work, or at least, it’s difficult to do it without sounding like an idiot. Before too long you find yourself using melded words like ‘genre-defying’ and realise that you sound – well, stupid, obviously; also pretentious. Besides which, only half the story is on the page; the other half is in how it’s read. Some people are firmly of the view that The Tribe series is fantasy while others say sci-fi; some think it’s an adventure, others a thriller, others still a political narrative on human rights – or refugees – or race … take your pick. All views are equally valid. I think readers have a right to find in a book what they will, and each of those elements are definitely there to be found. The Tribe series is dystopian, and as is the case with most dystopian books, the imperfections of the future are drawn from the imperfections of the past and the present. So too are the solutions – one of the things I’ve always loved about speculative fiction is the way it deals with the best and worst of humanity.

2. Characters in The Tribe series are bonded with an animal, and on your new website visitors can find out what kind of animal they relate to. What animal do you think you’d be bonded to?

A wolf, because Ashala is, and Ash is the character who I am most like. Plus I write from her perspective which means I live as Ash when I am writing. That’s not easy … especially not for my family … basically I’m awful to live with when I’m working on one of the books. Ashala’s fears and worries are mine (as are her triumphs, but I don’t usually get to those to very end). There is a moment in the first book, when Ashala is gazing into the eyes of the man trying to destroy her and realises for the first time the extent of his corruption – yeah, that was hard to write. I felt physically cold when I was writing it, chilled all the way to the bone. In fact, I had to go away and have a cup of tea and give myself a reassuring talking to before I could go on with the scene.

3. You’ve written and illustrated several picture books and are in the middle of a series of YA novels, what are the different challenges of writing a 4 book story compared to telling a story with pictures and limited text?

There’s a degree to which writing is writing. Words are hard, it’s just that there’s less of them in picture books, although that can make things more difficult too. There’s no ‘explaining things later’ in a picture book, every word has to earn it’s place in the narrative. And I suspect being an illustrator has helped me with the novels. Most people talk about my writing as being visual, I think that comes from working in two mediums; as an author/illustrator I’m used to immediately thinking about how every scene will look in picture form.

4. As an Aboriginal speculative fiction author, what influence has Palyku storytellers had on the way you craft stories?

You know, I’m going to be talking a bit about this in my Continuum Guest of Honour speech, so I don’t want to say too much here for fear of being left with no material that people haven’t heard (or read) before. But one of the interesting things I’ve discovered since the books have been released is that some of the elements that people identify as fantasy (eg, the ancestral serpent) are part of my reality as an Indigenous person … and it never even occurred to me to think of them as fantasy. So I can identify some of the ways in which my culture has shaped the story but there’s probably a lot of others that I’m not even consciously aware of.

5.If you had a TARDIS where and when would you go and who would be your companion?

One hundred years into the future, to see if our species does survive, and if we manage to do it without compromising the ability of every other species to exist or further widening the existing inequities among human beings.

And companion? David Tennant. (got a bit of a crush…)